“The Form of the Void.” In Colloque international “Picasso: Sculptures,” du 24 au 26 mars 2016, edited by Cécile Godefroy and Virginie Perdrisot, n. p. Paris: Musée national Picasso-Paris.
“The Camera Feeds/ Die Kamera speist.” In When We Were Monsters, edited by James Richards and Johanna Markert, 181-210. Kerpen, Germany: Haus Mödrath.
2021
“Return, Address.” In BPA//Exhibition 2021, edited by Anna-Lisa Scherfose, n. p. Berlin: KW Institute for Contemporary Art.
2020
“Thresholds: Salman Toor’s Group.” In Relations: Diaspora and Painting, edited by Cheryl Sim, 184-88. Montreal: Phi Foundation for Contemporary Art.
2019
“Resets: On James Richards’s Uncontrollable Universe.” In Artists in the Cinema: Projections Commissions 2019, 41-53. Newcastle upon Tyne, England: Tyneside Cinema.
“Memento Morandi” [review of Giorgio Morandi: Time Suspended II at Galleria Mattia De Luca, New York]. New York Review of Architecture 43-44. November/December/January/February 2024-25: 36-7.
2023
“The Picasso Capers” [on It’s Pablo-Matic: Picasso According to Hannah Gadsby at the Brooklyn Museum]. Artforum. July 24. Online.
Review of Anicka Yi: You Can Call Me F at The Kitchen, New York. Art in America, May 28.
Selected Book Reviews
2024
“The Queer Work of Abstraction” [review of Dragging Away: Queer Abstraction in Contemporary Art, by Lex Morgan Lancaster]. GLQ: A Journal of Lesbian and Gay Studies 30, no. 4 (2022): 580-3.
2023
“Peel Slowly and See” [review of If These Apples Should Fall: Cézanne and the Present, by T. J. Clark]. Artforum, January 3. Online.
